Stefan Goldmann (Macro,Berlin), Les Trucs (Mmodemm, Frankfurt am Main) in Osaka

2019/5/11 (Sat.)
at Noon+cafe
Open/21:00-
Entrance/2000yen+1drink fee, Bring the Flyer:1800yen+1drink fee

■Guest Dj:
Stefan Goldmann (Macro, Berlin)
DJ.TUTTLE (Marginal Records)

■Guest Live
Les Trucs (MMODEMM, Frankfurt am Main)

■Djs:
Ryoma Sasaki (Transit Records Kyoto)
Ouchi-S
Koichi
Wataru Horiuchi

■Live:
BODIL (Node, Contakt)
Barium

■Stefan Goldmann (from Berlin)
Techno has always been about imagining the future and experiencing the excitement of change and discovery. If anybody has lived up to this aspiration in recent years, it must be Stefan Goldmann. With every release and project he has brought a new edge to the table, creating some extraordinarily memorable tracks along the way. The uninhibited dirt of ‘The Maze’, the melodic craze of ‘Sleepy Hollow’ or the free-floating choir samples dominating ‘Lunatic Fringe’ have provided genre-shifting blueprints for countless DJs and producers. Macro, the label Stefan Goldmann operates with Finn Johannsen, has delivered cutting edge releases by the likes of Elektro Guzzi, KUF, Patrick Cowley, KiNK and Vladimir Dubyshkin.

From this position he has branched out into a wide array of projects with an approach that remains essentially techno: investigating grid rhythm, sampling, vinyl culture or digitisation down to their cores. Commissioned works and special format performances which incorporate these topics range from intimate solo encounters at iconic venues such as Kyoto’s Honen-in Temple, Los Angeles’s LACMA museum or CCK in Buenos Aires to large-scale compositions for music theatre, film, ensembles or dance. These formats have become a key part of his outreach, alongside DJing at clubs across Asia, the Americas, Australia and Europe, festivals like Mutek, SXSW and Time Warp, or at Macro label nights in Berlin, London, Paris, New York or Tokyo.

A special relationship has formed between Stefan Goldmann and Berlin’s Berghain club since his debut at Panorama Bar in 2006. He conceived the Elektroakustischer Salon nights, opening up the club to experimental formats, writes a regular column for its program flyer and is a co-author of Berghain’s 2015 book, ‘Art In The Club’. His own book ‘Presets’ investigates automation and industry aesthetics in digital music. While probing the boundaries of art and science, this techno renaissance man still feels most at home between two decks, communicating with the crowd through the beats he creates and mixes.

■MarginalMan a.k.a. TUTTLE
89年からDJ活動。PUNK,NEWWAVE,NOISE-INDUSTRIAL,PsycheRock,SKA,DUBを10代のルーツに持ち、CHICAGO HOUSE,ACID,TECHNO,ELECTRO,HIPHOPと80年代中期、当時のダンスミュージックに触発され、DJ活動開始。
「TUTTLE＆DYNAMO」として、自主制作12インチを2種、田中フミヤの「とれま」、竹村延和の「ラロップ」からの12インチ、S‐KENのレーベルからのフル・アルバムなどのオリジナル音源リリース。
その後、ゲームソフト「パラッパラッパー」のトラック制作、河内音頭の河内屋気菊水丸のバングラ・ミックス、ラトビルのGOTH-TRADとのスプリット・リミックス12インチなど多々あり。
通常のTUTTLE名義では、BASSMUSIC＝DUBSTEP,ELECTROやTECHNO,HOUSE,BREAKBEATSをプレー。MarginalManでは、ワールドビートを軸にカルトなオブスキャア音源を塗してプレー。今までに3枚のMIXCDをリリースし、いずれも好セールスを記録。2000年以降からのワールドビート・ブームの先陣を切った。
別活動に、ノイズユニットの「ザンゲ」や藤本修羅 氏との「D.D.S.」もある。また、90年代から踊り子の選曲も行っている。

■Les Trucs (from Frankfurt am Main)
Les Trucs are 2 human robots and a pile of electronic gadgetry. Half flesh, half wire. Half experiment, half pop. After having worked extensively in the fields of theatre and performance throughout the last years, Les Trucs are back in 2018, presenting their new record „Jardin de Bœuf“, a conceptual album about meat and organs leaving the body. With their fast and energetic live-shows, the Frankfurt / Germany based human-machine-collective is building a scenery made out of noise and composition, voices and dance, always performing from the center of the room.
Charlotte Simon and Toben Piel from Frankfurt am Main work together as LES TRUCS since 2008. Origining from nursery, fine art studies and a proper punk/hc education they started as a proper liveband and continued to develop performances, theatrepieces, filmmusic and videos. Their work always connects to their surrounding space and situation, in form of soundconcepts for urban spaces, compositions for choirs or science fiction cicles they appear in DIY areas as well as and cultural/artcontexts.
They released records on international Labels such as Logic systems Music Airport,Tokyo, Fettkakao Vienna, Zeitstrafe and Staatsakt Hamburg
and played concerts all around Europe, Israel and Japan. Together with Benjamin Bascom they run a cassettelabel for electronic experimental dancemusic called MMODEMM, present it in Dj sets all through Germanys clubs and organise events in Frankfurt (1,2 Piecefest, Der geheime Salon Mousonturm, Office du Pain).

■BODIL (Node/Contakt)
様々なユニットを経て、2003年より関西を中心に活動を開始。テクノ、ハードミニマルのサウンドにアナログシンセ、ヴォーカル、メタルパーカッション等のライブパフォーマンスをおこない話題を集めてきたが、2014年よりシンセ・ニューウェイヴをコンセプトにキーボディストのサポートメンバーを加え、完全ヴォーカルスタイルの新生BODILとして活動を行っている。
2017年7月、LIQUIDROOM13周年で電気グルーヴのオープニングアクトを務め話題を呼ぶ。

■ Ryoma Sasaki (Transit Records Kyoto)
Ryoma is a track maker and DJ who is well known in the Japanese underground. He started his career as a musician in the early 90’s. He has had a lot of experience in a variety of underground bands as a guitarist and vocalist. He then started to participate in the club music scene playing live and DJing, and was nominated as a finalist of the Roland Groove Competition in 2000. He currently plays an activepart in the Kansai scene, playing live and DJing in Kyoto and Osaka,
and organizing the locally famous event Undermine at Kyoto’s legendary Club Metro. His strong livesets have an excellent reputation and he has played with prolific domestic and international artists including Juan Atkins aka Model 500, Underground Resistance, Jeff Mills, Carl Craig, Terrence Parker, Laurent Garnier, Stefan Goldmann, Andy Vaz, Gunne&Zuckermann, DJ3000, Rennie Foster, Hiroshi Watanabe aka Kaito(Kompakt/Transmat), , Bee Lincoln and many more. In 2009 he
started to run his own record shop “Transit Records Kyoto” and as of next year started to run his own label, Transit Records. The first release was Detroit legend Terrence Parker’s “Beautiful Life” 12” with remixes by myself (Ryoma Sasaki) and another Kyoto artist, DJ Itoi. And second release was the own title “Transit EP” including a remix of his track by Tagträumer² (Black Fox Music/Rauschzeit). After it, He released Stefan Goldmann’s brilliant track “Empty Suit” as the 3rd release. The 4th release was the coupling EP with Hiroshi Watanabe(Kompakt/Transmat) and 5th release was the coupling EP with Bee Lincoln. Now the label is preparing Remix EP of Ryoma’s work for the 8th vinyl release.
Until now, he did the Germany tour 9 times, and did Austria tour in the last year: played at many clubs: Tresor. Berlin, Wilde Renate, Golden Gate, Chalet, Cassiopeia, ipse.Berlin, Molox Club, Mikz, Crack Bellmer, Silvergold, Café Koz, Konfuzius Franz, Kraniche Bei Den Elbbruecken, Kurzbar, Villa Nachttanz, Rhiz (Vienna) etc…

90年代初頭より本格的に音楽活動を開始。現在、主に、Live PA/Djとして活動中。 2007年、 カナダのレーベル・Dirty Worksより、チャートで上位を獲得し、長期にわたってチャート・イン するロングラン・ヒットを記録したアルバム”Calling of Amon”をリリース。そして、その後も コンスタントに楽曲をリリースし、2011年よりVinyl レーベル・Transit Records Kyotoをス タート。ファースト・リリースとして、デトロイトのレジェンドDJの一人、Terrrence Parkerの作品を、2013年にはレーベルの第2弾として、自身の作品”Transit EP” (Tagtrumer Remix収録)(TR-001)をリリースした。2015年には、Hiroshi Watanabe氏とのカップリングEP “The Bridge of Sounds EP”(TR-003)、2016年には、ベルリンのアーティストBee Lincolnとともに”Transition EP”(TR-004)、2017年6月、ベルリンの名門レーベルLebensfreudeのGunneとZuckermannのリミックスを収録した”Without End Hour EP(TR-005)”をリリースした。2011年から現在に至るまで、計9回のドイツでのDJツアーを行い、テクノ・ミニマル系最高峰ク ラブのTresor.Berlinをはじめ、Wilde Renate、GoldenGate、Cookies、Ipse Berlin, Chalet等々、ベルリンの主要クラブに出演の他、フランクフルト、ハンブルグ、マンハイム等のクラブ、ハイデルベルク郊外の千人規模の山頂でのフェス等、幅広く出演している。さらに、昨年は、オーストリアのウィーンとグラーツでも公演した。こういった日本とドイツでの活動を通じ、ドイツのラジオ局に注目され、2014年、南西ドイツ放送(Sdwestfunk)の番組で、自身とTransit Records Kyotoが取り上げられ約30分の番組として放送された。2018年1月、名門レーベルTrenton Records主宰ReynoldのRemixを収録した”The Phase at Midnight EP”(TR-006)をリリース。2000 and Oneをはじめとした著名アーティストから高い評価を得ている。現在、自身の作品のRemix EP (TR-007/Vinyl)をはじめ数作品のリリースを予定している。

■Ouchi-S
Ouchi-S is a DJ who performs mainly in Kyoto and Osaka.
He started his career as Funk DJ in 2010, playing mainly funk,soul and jazz music of the 60’s 70’s. He participated in a Kyoto’s prominent deep funk party『FUNK78』at that time.
As he advanced in DJ’ing, he made a commitment to build his career by playing house music like detroit house, deep house and tech house.
He also loves the vinyl and most of the time pilots turntables, delivering a sound which boldly expresses his funkness.
Currently he is playing in an underground techno/house party『Connected Underground』,『Deep Underground』,『yelltail』, all held in “Kyoto Metro” that is legendary night club in this historical city.
In 2018, he released his own mix tape”inspired by there”.